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Textiles defined a person's rank and status; certain textiles indicated being part of the ruling class. People expressed their ethnic identity and social hierarchy through textiles. Because some Indonesians bartered ikat textiles for food, the textiles constituted economic goods, and as some textile-design motifs had spiritual religious meanings, textiles were also a way to communicate religious messages. Some feminists have argued that by participating in feminine fashions women are contributing to maintaining the gender differences which are part of women's oppression.

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There is less of a bias because consumers are just performing their daily tasks, not necessarily realizing they are being observed. For example, observing the public by taking street style photos of people, the consumer did not get dressed in the morning knowing that would have their photo taken necessarily. Through observation patterns can be seen, helping trend forecasters know what their target market needs and wants. The Haute house was the name established by the government for the fashion houses that met the standards of the industry. These fashion houses have to adhere to standards such as keeping at least twenty employees engaged in making the clothes, showing two collections per year at fashion shows, and presenting a certain number of patterns to costumers.

Shonali appears on television as a mentally ill, homeless alcoholic; Meghna takes her in and tries to rehabilitate her. Meghna accepts an offer from Rahul to be the star model of his show, but a day before the show Shonali vanishes. Just before Meghna walks the ramp, she receives a call from the police telling her that Shonali is dead from a drug overdose. Meghna freezes; overcoming her grief, she walks the ramp, reviving her career and restoring her self-confidence. Meghna gives up drinking and smoking, and as the film closes she walks the ramp in Paris. In 2005, the World Intellectual Property Organization held a conference calling for stricter intellectual property enforcement within the fashion industry to better protect small and medium businesses and promote competitiveness within the textile and clothing industries.

The levels of focus in the fashion industry consist of many separate but interdependent sectors. These sectors include Textile Design and Production, Fashion Design and Manufacturing, Fashion Retailing, Marketing and Merchandising, Fashion Shows, and Media and Marketing. Each sector is devoted to the goal of satisfying consumer demand for apparel under conditions that enable participants in the industry to operate at a profit. Fashions may vary considerably within a society according to age, social class, generation, occupation, and geography, and may also vary over time. The terms fashionista and fashion victim refer to someone who slavishly follows current fashions.

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Internet technology, enabling the far reaches of online retailers and social media platforms, has created previously unimaginable ways for trends to be identified, marketed, and sold immediately. Trend-setting styles are easily displayed and communicated online to attract customers. Posts on Instagram or Facebook can quickly increase awareness about new trends in fashion, which subsequently may create high demand for specific items or brands, new "buy now button" technology can link these styles with direct sales. Companies such as MUD Jeans, which is based in the Netherlands employ a leasing scheme for jeans. This Dutch company "represents a new consuming philosophy that is about using instead of owning," according to MUD's website. Consumers pay €7.50 a month for a pair of jeans; after a year, they can return the jeans to Mud, trade them for a new pair and start another year-long lease, or keep them.

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According to them, their new guidelines did not allow Fashion a U/A certification. The board was willing to issue a U/A certificate after several cuts; Bhandarkar refused and accepted the A certificate since the scenes in question were crucial to the narrative. Nagpal was helped by the DCW, which did not want anyone profiting from her life. Bhandarkar narrated a summary of the film's plot at the DCW office, which satisfied the commission that there was no reference to Nagpal.

This year, as we marked 8 years since the tragedy, Fashion Revolution Week focused on the interconnectedness of human rights and the rights of nature. Our campaign amplified unheard voices across the fashion supply chain and harnessed the creativity of our community to explore innovative and interconnected solutions. The story revolves around Meghna Mathur, an aspiring fashion model; it follows her transformation from small-town girl to supermodel, the Indian fashion industry and the careers of several other models. The cast also features several professional fashion models playing themselves. The film was a turning point in Chopra's career after she had several flops previously. The dressing practices of the powerful has traditionally been mediated through art and the practices of the courts.

Breaking news, relationship updates, hairstyle inspo, fashion trends, and more direct to your inbox! The girl rocked a completely sheer dress without a bra — and later remarked that her only regret was not wearing a bedazzled thong to match. Then, there was the year 2015, when the Met Gala saw not one nor two but three naked dresses on the red carpet, all worn by Hollywood’s hottest A-listers.